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• Frame Tool for easy masking:
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  • To place an image into a frame, simply drag-and-drop an Adobe Stock asset or a libraries asset from the Libraries panel or your local disk — the image automatically scales to fit the frame Content placed in frames is always placed as Smart Objects so that it can be scaled non-destructively
• Content-Aware Fill reimagined:
  • Powered by Adobe Sensei
  • A new, dedicated Content-Aware Fill workspace provides you an interactive editing experience to achieve seamless fill results. You can now choose which source pixels to use and rotate, scale, and mirror the source pixels thanks to Adobe Sensei technology. You also get a live full-resolution preview of the changes and an option to save the result to a new layer.
• New multiple undo mode:
  • You can now use Control + Z (Win) / Command + Z (Mac) to undo multiple steps in your Photoshop document, just like in other Creative Cloud apps.
• Usability improvements:
  • Reference Point is hidden by default:
    • While transforming items, you can now easily move items on the canvas. You can select the Toggle Reference Point checkbox in the Options bar if you want the reference point to appear.
    • Double-click to edit text:
    • You can now double-click a Type layer with the Move tool to quickly begin editing the text in your document. You do not need to switch tools anymore to edit text.
• Auto-commit:
  • Efficiently crop, transform and place or enter text with auto-commit. You no longer need to press Enter (Win) / Return (macOS) or click the Commit button in the Options bar to commit your changes.
  • Transform proportionally by default:
  • Photoshop now transforms all layer types (such as pixel layers, type layers, shape layers, bitmaps, Placed Smart Objects) proportionally by default.
  • When transforming a layer, you no longer need to hold down the Shift key while dragging a corner handle to resize a selected layer to constrain its proportions. Anytime you drag a corner handle during transform and move it, the layer resizes proportionally. Holding down the Shift key now resizes non-proportionally when you drag a corner handle during the transform.

• Prevent accidental panel moves with Lock Workspace:
  • Use the new Lock Workspace option to prevent accidentally moving workspace panels, particularly when you’re using Photoshop on a tablet/stylus. To access this option, choose Window > Workspace > Lock Workspace.
• Live blend mode preview:
  • You can now scroll over different blend mode options to see how they look on your image. Photoshop displays a live preview of blend modes on the canvas when you scroll over different blend mode options in the Layers panel and the Layer Style dialog.
• Symmetry mode:
  • Paint your brush strokes in a perfectly symmetrical pattern. While using the Paint Brush, Mixer Brush, Pencil, or Eraser tools, click the butterfly icon () in the Options bar. Choose from the several available types of symmetry – Vertical, Horizontal, Dual Axis, Diagonal, Wavy, Circle, Spiral, Parallel Lines, Radial, Mandala.
• Color Wheel to choose colors:
  • Use the Color Wheel to visualize the color spectrum and easily choose colors based on harmonies such as complementary colors and analogous colors. From the Color panel fly-out menu, choose Color Wheel.
• Home screen:
  • Get started quickly with the Photoshop Home screen. Access it at any time to find out about new features, connect to learning content, and jump right to your open documents. Click the new Home icon in the Options bar to access the Home screen at any point.

• Improved in-app learning:
  • After completing an in-app tutorial (Learn panel), you can now use your images to get the looks you want in less time.
• Top customer-requested features:
  • You can now distribute the spacing between the objects. Photoshop can already distribute objects by evenly spacing their center points. If your objects are different sizes, you now get an even spacing between them.
• Math in number fields:
  • You can also perform simple math in any input box that accepts numeric values. This is very useful when trying to quickly get to a multiple of a value, or divide something up.
• Ability to see long layer names:
  • For long layer names, Photoshop now retains the beginning and end of the layer name and puts an ellipses (…) in the middle of the name.
• Match Font now support Japanese fonts:
  • You can now search Japanese fonts with Match Font. Using Adobe Sensei, Match Font allows you to detect text included in the selected area of an image and match it to licensed fonts on your computer or Adobe Fonts, suggesting similar fonts.

• Preference to increase UI size:
  • Get more control when scaling the Photoshop UI, and adjust it independent of your other apps to get the font size just right. In the Interface preferences (Edit >Preferences > Interface), a new setting Scale UI To Font has been introduced. When you select this new setting, the entire Photoshop UI scales based on the UI Font Size drop-down value you’ve chosen – Tiny, Small, Medium, or Large.
• Support for South East Asian scripts:
  • Photoshop now includes the support for five new South East Asian languages, so your documents can include text in these scripts: Thai, Burmese, Lao, Sinhalese, and Khmer.
• Other enhancements:
  • Flip document view
  • Quickly flip your canvas horizontally. Choose View > Flip Horizontal.
  • Lorem Ipsum placeholder text
  • Get ‘Lorem Ipsum’ as placeholder text while placing new type layers in your document. In Type preferences (Edit > Preferences > Type), select Fill New Type Layers With Placeholder Text.
  • Customize keyboard shortcuts for Select as well as Mask
  • You can now modify the shortcut keys for Select as well as Mask workspace. Choose Edit > Keyboards Shortcuts. In the Keyboard Shortcuts as well as Menus dialog, choose Taskspaces from the Shortcuts For menu. In the Taskspace command column, expand the Select as well as Mask set to edit the shortcuts as required.

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• 2 GB of RAM (8 GB recommended)
• 1024×768 display (1280×800 recommended) with 16-bit color and 512 MB of VRAM (1 GB recommended)
• OpenGL 2.0–capable system
• An Internet connection and registration are necessary for required software activation, validation of subscriptions, as well as access to online services

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To begin, I should explain some introductory concepts related to H.264 video.

What is H.264?

H.264 is a video compression standard known as MPEG-4 Part 10, or MPEG-4 AVC (for 'advanced video coding'). It's a joint standard promulgated by the ITU-T Video Coding Experts Group (VCEG) and the ISO/IEC Moving Picture Experts Group (MPEG).

H.264's audio sidekick is AAC (advanced audio coding), which is designated MPEG-4 Part 3. Both H.264 and AAC are technically MPEG-4 codecs—though it's more accurate to call them by their specific names—and compatible bitstreams should conform to the requirements of Part 14 of the MPEG-4 spec.

According to Part 14, MPEG-4 files containing both audio and video, including those with H.264/AAC, should use the .mp4 extension, while audio-only files should use .m4a and video-only files should use .m4v. Different vendors have adopted a range of extensions that are recognized by their proprietary players, such as Apple with .m4p for files using FairPlay Digital Rights Management and .m4r for iPhone ringtones. (Mobile phones use the .3gp and .3g2 extensions, though I don't discuss producing for mobile phones in this article.)

Like MPEG-2, H.264 uses three types of frames, meaning that each group of pictures (GOP) is comprised of I-, B-, and P-frames, with I-frames like the DCT-based compression used in DV and B- and P-frames referencing redundancies in other frames to increase compression. I'll cover much more on this later in this article.

Like most video coding standards, H.264 actually standardizes only the 'central decoder..such that every decoder conforming to the standard will produce similar output when given an encoded bitstream that conforms to the constraints of the standard,' according to Overview of the H.264/AVC Video Coding Standard published in IEEE Transactions on Circuits and Systems for Video Technology (ITCSVT). Basically, this means that there's no standardized H.264 encoder. In fact, H.264 encoding vendors can utilize a range of different techniques to optimize video quality, so long as the bitstream plays on the target player. This is one of the key reasons that H.264 encoding interfaces vary so significantly among the various tools.

Will there be royalties?

If you stream H.264 encoded video after December 31, 2010, there may be an associated royalty obligation. As yet, however, it's undefined and uncertain. Here's an overview of what's known about royalties to date.

Briefly, H.264 was developed by a group of patent holders now represented by the MPEG Licensing Suthoring, or MPEG-LA for short. According to the Summary of AVC/H.264 License Terms(PDF, 34K) you can download from the MPEG-LA site, there are three classes of video producers subject to a potential royalty obligation.

If you're in the first two classes, and are either distributing via pay-per-view or subscription, you may already owe MPEG-LA royalties. The third group, which is clearly the largest, is for free Internet broadcast. Here, there will be no royalties until December 31, 2010 (source: AVC/H.264 License Agreement). After that, 'the royalty shall be no more than the economic equivalent of royalties payable during the same time for free television.'

According to their website, MPEG-LA must disclose licensing terms at least one year before they become due, or no later than December 31, 2009. Until then, we're unfortunately in the dark as to which uses of H.264 video will incur royalties, and the extent of these charges. For more information on H.264-related royalties, check out my article, The Future's So Bright: H.264 Year in Review, at StreamingMedia.com.

H.264 and Flash Player

As I mentioned, Adobe added H.264 playback support to Adobe Flash Player 9 Update 3 back in 2007. The apparent goal was to support the widest possible variation of files containing H.264 encoded video, and Flash Player should play.mp4, .m4v, .m4a, .mov, and .3gp files, H.264 files using the .flv extension, as well as files using the newer extensions that were released along with Flash Player 9 (see Table 1).

Table 1. File extensions for H.264 files produced for Flash Player playback

I'll describe profiles and levels in the next section. For now, understand that Flash Player supports the Baseline, Main, High, and High 10 H.264 profiles with no levels excluded. Accordingly, when you're producing H.264 video for Flash Player, you're free to choose the most advanced profile supported by the encoding tool, which is typically the High profile. On the audio side, Flash Player can play AAC Main, AAC Low Complexity, and AAC SBR (spectral band replication), which is otherwise known as High-Efficiency-AAC, or HE-AAC.

Producing H.264 video

You have seen that you have nearly complete flexibility regarding profiles and extensions; what else do you need to know before you dig into the details? New bangla movie full hd. A couple of things.

First, unlike VP6, which is available only from On2, there are multiple suppliers of H.264 codecs, including MainConcept, whose codec Adobe uses in Adobe Media Encoder and Adobe Flash Media Encoding Server. I've compared the quality of H.264 files produced with H.264 codecs from other vendors, and MainConcept has proven to be the best.

In general, while the overall quality of other codecs has improved, there are some tools to avoid out there. If you're producing with a different tool and not achieving the quality you were hoping for, try encoding with one of the Adobe tools.

Second, some older encoding tools do not offer output directly into F4V format. If F4V format is not offered in your encoding tool, the best alternative is to produce an MPEG-4 compatible streaming media file using the .mp4 extension.

With this as background, I'll describe the most common H.264 encoding parameters.

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